Talia Chetrit: Iʼm Selecting

T. Chetrit 005

I’m Selecting, Talia Chetrit’s second exhibition at Sies and Hoke, comprises two discrete bodies
of work. One consists of 13 images shot on the streets of New York and Paris. The other, made
using a mirror, is a suite of four photographs which depict the artist in her studio, nude from the
waist down. Tightly cropped and grainy, semi-anonymized images of businessmen crossing the
street and groups of people buying museum tickets typify the impersonal. While, contrastingly, the
artist stares back at her viewer in bottomless, startling self-portraits.

T. Chetrit 006 T. Chetrit 007 T. Chetrit 008 T. Chetrit 009
The seeming incongruity between these two series is bridged by the amount of control exercised
over both. Chetrit’s focus has long been aimed at the ways in which images are constructed and
the manner in which they function in society: their contrivances, their agendas, and their fictions.
Often the body serves as a site for this exploration of photography’s tenets, and in I’m Selecting,
Chetrit uses the bodies of others as well as her own. These images are a reminder of the degree
of self-scrutiny we impose on ourselves when we know our pictures are being taken, and the
feeling of panic inspired by being photographed without realizing it.

T. Chetrit 013 T. Chetrit 014
Here the artist has brought these two emotions into the same room. It is clear that the unwitting
subjects of the street photographs haven’t been given the opportunity to pose for the camera.
Instead their images are forged after the fact – Chetrit has seemingly scoured her negatives for
marginal moments of intrigue, cropping and enlarging to direct our attention to individuals who
never sought it in the first place. It is therefore an almost conciliatory gesture that the artist
reinserts herself into this narrative. Chetrit’s four half-nudes are an objectification and
aestheticization of the artist’s own body, ostensibly revealing much more of herself than what she
has taken from her subjects on the street. If control is the the guiding principle in I’m Selecting,
then Chetrit deploys it in two fashions: on one hand taking control over images of others that
initially had none, and on the other carefully crafting self-portraits that relinquish the possibility of
that very control.
- Patrick Armstrong

T. Chetrit 008 T. Chetrit 016

Talia Chetrit: Iʼm Selecting
12 May – 19 June, 2012, Opening: Tuesday, 12 May 7-9 pm

Sies + Höke Galerie
Poststrasse 3
40213 Düsseldorf

Leave a Reply

  • (will not be published)